Recording and Mixing Dates: Recorded June 10, July 5, and July 14, 2016. Mixed July 14, 2016.
Genesis: I wrote the original lyrics on September 24, 2000. In my head I heard a traditional three-chords blues progression, so I phrased the lyrics that way. I let the lyrics sit for years, until singer-songwriter-friend Jan Hauenstein asked me in early 2009 for any song lyrics he could set to music. I sent a bunch of stuff for him to review. Jan liked “Topsoil Blues” and sent me a demo recording in February of that year. Jan’s music was wonderful but it had nothing to do with American blues. I hadn’t told him any of my thoughts on the song lyrics I had sent because I wanted a fresh take on them.
The problem was that the chord progression Jan employed did not resolve properly on the last line of each verse and chorus. The music remained suspended in mid-air. Something was missing. I realized I could solve the problem by adding two more lines at the end of each stanza. For example, the last line in the original first verse was “But it’s burned into my skin.” Adding two new lines and using Jan’s music from the third and fourth line of each verse worked. A similar tweak to the chorus did the trick as well. I also cleaned up a few lines.
Jan recorded a beautiful version for his next album and he posted the recording to the Folk Alley website. Over the years thousands of people have listened to his version. I have always wanted to record my own take but I didn’t want to mimic Jan. I finally came up with an arrangement I liked. I did shorten Jan’s musical interludes just a bit but otherwise the music is all Jan’s.
Although there is agricultural imagery in the song, the “topsoil” I refer to is metaphorical. Listeners can figure out for themselves what the song conveys to them. A very open-ended lyric to my ears.
Production: Electric Bass Guitar, Electric Guitars, Piano, Organ, and Drums.
Lyrics
Topsoil Blues
I’m beginning to question
Will my crops come in?
There isn’t any sight of rain
And my topsoil’s much too thin
I should leave this place
But it’s burned into my skin
The holy ghost of order
Is my next of kin
I’m starting to consider
All my options now
I try to stay on message
But I can’t speed this plow
No one wants to listen
They know anyhow
I swore that I’d be silent
But I can’t keep that vow
The time between Natchez
And the gulf coast sand.
Could fill up a dump truck
Or a one-night stand
I can see your lips are moving
But I don’t understand
You speak a long dead language
In this no-man’s land
I’m going to the pay phone
Try to make a line
I should get me a tattoo
Not the homemade kind
You can’t erase the past
Unless you hit rewind
So many broken borders
In this state of mind
I used to have nightmares
That would come and go
Now they’re circling over Texas
In a barnstorming show
It’s hard to read the wine list
When you’re eating crow
I’ll wash it down and wonder
What seeds I’ve left to sow
The time between Natchez
And the gulf coast sand.
Could fill up a dump truck
Or a one-night stand
I can see your lips are moving
But I don’t understand
You speak a long dead language
In this no-man’s land
Copyright 2016 All Rights Reserved Fred Grittner & Jan Hauenstein
Lovely, Fred. You know I have been hoping you´d record this one day, we have talked about it. Well worth the wait! Similar and yet you distinctly made it your very own. Sounds just great.
For the record – the ‘suspended in mid-air’ was intentional. I relistened to my take and still think it fits the mood.
But anyway, the changes make sense and your arrangement, playing and singing make me very happy. I thank you very much.
LikeLike
Nice touch and done with lot’s of musicality!
LikeLike
Beautifully done. Fred. I started my morning listening to this new song and I love the melody. I then replayed it again and read the lyrics. It’ tells the story of loss, loniness and creams a very special mood. I’m adding it to my library.
LikeLike